Search Results for wild-sound

By starting with the tentative gestures of Amacher's note- taking and not, say, the more solid ground of performances, recordings, public talks, or published writings, Wild Sound plunges headlong into this hypothetical mode but insists, ...

Author: Amy Cimini

Publisher: Oxford University Press

ISBN: 9780190060893

Category: Art

Page: 336

View: 906

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"We haven't even made it to breakfast!" Composer Maryanne Amacher (1938-2009) often used this phrase to shorthand her critical and partial approach to knowledge production across the vast artistic, technical and scientific discourses with which she worked. The same could be said about her own musical thought, which encompassed original presentational formats in existing and speculative media and approaches to sound and listening that conjoined real and imagined social worlds. In these conjunctions, this book discerns meeting points between frameworks for life that emerged from Amacher's multidisciplinary study of sound and listening: within acoustical spectra, inside human bodies and ears, across cities and edgleands, hypothetical creatures and virtual, fictive or distanciated environments. These figurations guide interpretative study of six signal projects: Adjacencies (1965/1966); City-Links (1967-1988); Additional Tones (1976 / 1988), Music for Sound-Joined Rooms (1980), Mini Sound Series (1985) and Intelligent Life (1980s) and countless sketches, notes and unrealized projects. The book explores Amacher's working methods with an interpretive style that emphasizes technical study, conceptual juxtaposition, intertextual play and narrative transport. This book also takes up Amacher's work as a guiding thread across shifting social discourses on life in the late 20th century U.S. Her projects convoked figurations of life and technoscience that could be partially and ironically accessed or conceptualized via complex auditory thresholds. This nascent feminist epistemology rooted in feminist science and technology studies centers biopolitical questions about difference and power in artistic and critical work that counts Amacher among its precedents"--
2021 By Amy Cimini

It is night here, but the sun still shines, photons transmuted to sound waves. An ordinary evening. A few insect sounds and some birds. Cars and planes on their rounds. Human music and voices. I take this for granted.

Author: David George Haskell

Publisher: Faber & Faber

ISBN: 9780571362103

Category: Science

Page: 320

View: 176

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An awe-inspiring exploration of the sounds of the living Earth, and the joys and threats of human music, language and noise. 'A symphony, filled with the music of life . . . fascinating, heartbreaking, and beautifully written.' ELIZABETH KOLBERT, author of The Sixth Extinction 'Sounds Wild and Broken affirms Haskell as a laureate for the earth, his finely tuned scientific observations made more potent by his deep love for the wild he hopes to save.' NEW YORK TIMES 'Wonderful . . . a reminder that the narrow aural spectrum on which most of us operate, and the ways in which human life is led, blocks out the planet's great, orchestral richness.' GUARDIAN We live on a planet alive with song, music, and speech. David George Haskell explores how these wonders came to be. In rainforests shimmering with insect sounds and swamps pulsing with frog calls we learn about evolution's creative powers. From birds in the Rocky Mountains and on the streets of Paris, we discover how animals learn their songs and adapt to new environments. Below the waves, we hear our kinship to beings as different as snapping shrimp, toadfish, and whales. In the startlingly divergent sonic vibes of the animals of different continents, we experience the legacies of plate tectonics, the deep history of animals and their movements around the world, and the quirks of aesthetic evolution. Starting with the origins of animal song and traversing the whole arc of Earth's history, Haskell illuminates and celebrates the emergence of the varied sounds of our world. In mammoth ivory flutes from Paleolithic caves, violins in modern concert halls, and electronic music in earbuds, we learn that human music and language belong within this story of ecology and evolution. Yet we are also destroyers, now silencing or smothering many of the sounds of the living Earth. Haskell takes us to threatened forests, noise-filled oceans, and loud city streets to show that sonic crises are not mere losses of sensory ornament. Sound is a generative force, and so the erasure of sonic diversity makes the world less creative, less beautiful. Sounds Wild and Broken is an invitation to listen, wonder, act. 'Absolutely fascinating.' MARIELLA FROSTRUP, TIMES RADIO 'Enlightening and sobering.' JINI REDDY, METRO
2022-04-19 By David George Haskell

you recognize and identify an impressive variety of wild sounds . Included are the utterances of one hundred creatures , including most of our commonly heard mammals , birds , reptiles , frogs and toads , and insects .

Author: Lang Elliott

Publisher: Stackpole Books

ISBN: 0811731901

Category: Nature

Page: 106

View: 215

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Book has remarkable close-up photos of 100 mammals, birds, reptiles, amphibians and insects found east of the Great Plains in North America with information about habitat, appearance, behavior and also a CD recording of commons songs, calls, or other sounds for each.
2004-10-13 By Lang Elliott

John B. Fisher. l The Lure of Wildlife Sound Recording There are many discs.

Author: John B. Fisher

Publisher:

ISBN: CORNELL:31924001277676

Category: Animal sounds

Page: 192

View: 301

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1977 By John B. Fisher

Wildlife Viewing Area 11 H Frederick Sound Humpback Whales Central Southeast Alaska Recommended Season : Late June - Early September Spring Summer Fall Winter Description : Of the estimated 6,000 humpback whales in the North Pacific ...

Author:

Publisher:

ISBN: MINN:31951D01703569Z

Category:

Page:

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1999 By

WILD RECORDING Recording sound separately from images , usually in order to obtain usable tapes of sound effects , such as ROOM SOUND . WILD SHOOTING Shooting a sound film without recording the sound simultaneously .

Author: James Monaco

Publisher: New York : Oxford University Press

ISBN: UOM:39015011591644

Category: Film criticism

Page: 568

View: 646

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Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.
1981 By James Monaco

complete, such sounds can be captured as wildsounds. (The term dates back to a time when sound was recorded separately from the film camera by a sound technician, and he or she would capture “wildsounds not associated with an image on ...

Author: Broderick Fox

Publisher: Routledge

ISBN: 9781317348733

Category: Language Arts & Disciplines

Page: 264

View: 248

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Documentary Media: History, Theory, Practice facilitates the study of documentary media, its changing forms, and diverse social functions. Fox provides balanced and accessible coverage of the historical, critical, and the practical aspects of documentary media without mandating specialized skills sets in students or access to costly technology. For practitioners and students alike, Documentary Media lays out fundamental concepts and production processes needed to contribute to the contemporary production of non-fiction media in the digital age. Each chapter engages students by challenging traditional assumptions about documentary form and function, posing critical and creative questions, and offering historical and contemporary examples. Additionally, each chapter closes with an "Into Practice" section that assists readers in applying the chapter's concepts. Fox aims to help the student establish a complete treatment, aesthetic plan, and pre-production strategy for their own documentary project.
2015-10-16 By Broderick Fox

EFFECTS AND WILD TRACKS A wild track is any track shot independent of picture. When an actor flubs a line or some extraneous sound cuts across a line of dialogue, the alert sound recordist asks for a wild voice-only recording ...

Author: Michael Rabiger

Publisher: CRC Press

ISBN: 9781136042508

Category: Performing Arts

Page: 560

View: 628

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Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking.
2013-04-02 By Michael Rabiger

Splice the sound roll back together , and hang the wild sound you have just removed on a bin or spool it up on a separate roll . 7b . If you find the original 1 toward the tail ( end ) of the roll ( to the left ) , this indicates that ...

Author: Steven Ascher

Publisher:

ISBN: UOM:39015046011121

Category: Cinematography

Page: 634

View: 529

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1999 By Steven Ascher

tone—the ambient sound present in the room. Sometimes this is called wild sound. If a question needs to be reconstructed, recorded, and inserted into the program later on, room tone can be dubbed in under the question so that it will ...

Author: Ronald Compesi

Publisher: CRC Press

ISBN: 9781317351108

Category: Art

Page: 480

View: 301

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Video Field Production and Editing concentrates on video techniques and technology appropriate for "small scale" single-camera electronic field production (EFP) and electronic news gathering (ENG). This book offers the latest material on new digital field recording and editing technologies and is written in a concise, non-technical, user-friendly format. Reorganized and updated throughout, with new sections dedicated to HDV (High Definition Video) videotape recording formats, and tapeless digital recording media including high capacity optical discs, solid-state memory cards, and computer hard drives, the book walks the reader through the video production process from initial planning through final editing.
2015-11-19 By Ronald Compesi