Search Results for theoretical-and-practical-treatise-on-dancing

Author: Gennaro Magri

Publisher: Dance Books Limited

ISBN: STANFORD:36105040935541

Category: Performing Arts

Page: 246

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1988 By Gennaro Magri

34 Noverre / Beaumont , Letters on Dancing , p . 18 . 12 Quoted in Ivor Guest , The Ballet of the 35 Magri / Skeaping , Theoretical and Practical Enlightenment ( London : Dance Books 1996 ) , Treatise , p . 61 .

Author: Marion Kant

Publisher: Cambridge University Press

ISBN: 0521539862

Category: Music

Page: 353

View: 307

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A collection of essays by international writers on the evolution of ballet.
2007-06-07 By Marion Kant

... in his Theoretical and Practical Treatise on Dancing , described the well - placed and well - trained social and stage dancer . The development of social dancers became more demanding , and they had to spend many hours training .

Author: Judith Chazin-Bennahum

Publisher: Psychology Press

ISBN: 0415970385

Category: Music

Page: 280

View: 537

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THE LURE OF PERFECTION: FASHION AND BALLET, 1780-1830 offers a unique look at how ballet influenced contemporary fashion and women's body image, and how street fashions in turn were reflected by the costumes worn by ballet dancers. Through years of research, the author has traced the interplay between fashion, social trends, and the development of dance. During the 18th century, women literally took up twice as much space as men; their billowing dresses ballooned out from their figures, sometimes a full 55 inches, to display costly jewelry and fine brocade work; similar costumes appeared on stage. But clothing also limited her movement; it literally disabled them, making the dances themselves little more than tableaux. Movement was further inhibited by high shoes and tight corsets; thus the image of the rigidly straight, long-lined dancer is as much a product of clothing as aesthetics. However, with changing times came new trends. An increased interest in natural movement and the common folk led to less-restrictive clothing. As viewers demanded more virtuosic dancers, women literally danced their way to freedom. THE LURE OF PERFECTION will interest students of dance and cultural history, and women's studies. It is a fascinating, well-researched look at the interplay of fashion, dance, and culture-still very much a part of our world today.

Albertieri, Luigi. The Art of Terpsichore: An Elementary, Theoretical, Physical, and Practical Treatise of Dancing. New York: G. Ricordi & Co., 1923. Allen, Zita. “What Is Black Dance?” The Black Tradition in American Modern Dance.

Author: Tilden Russell

Publisher: Oxford University Press

ISBN: 9780190059781

Category: Performing Arts

Page: 384

View: 467

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The history of dance theory has never been told. Writers in every age have theorized prescriptively, according to their own needs and ideals, and theorists themselves having continually asserted the lack of any pre-existing dance theory. Dance Theory: Source Readings from Two Millenia of Western Dance revives and reintegrates dance theory as a field of historical dance studies, presenting a coherent reading of the interaction of theory and practice during two millennia of dance history. In fifty-five selected readings with explanatory text, this book follows the various constructions of dance theories as they have morphed and evolved in time, from ancient Greece to the twenty-first century. Dance Theory is a collection of source readings that, commensurate with current teaching practice, foregrounds dance and performance theory in its presentation of western dance forms. Divided into nine chapters organized chronologically by historical era and predominant intellectual and artistic currents, the book presents a history of an idea from one generation to another. Each chapter contains introductions that not only provide context and significance for the individual source readings, but also create narrative threads that link different chapters and time periods. Based entirely on primary sources, the book makes no claim to cite every source, but rather, in connecting the dots between significant high points, it attempts to trace a coherent and fair narrative of the evolution of dance theory as a concept in Western culture.
2020-03-02 By Tilden Russell

Theoretical and practical treatise on dancing, trans. Mary Skeaping with Anna Ivanova and Irmgard E. Berry; ed. Irmgard E. Berry and Annalisa Fox [London: Dance Books, 1988]), pp. 80, 87, 186; Dufort, Trattato del Ballo Nobile. 97.

Author: Tilden Russell

Publisher: Rowman & Littlefield

ISBN: 9781611496628

Category: Performing Arts

Page: 250

View: 200

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During the first two decades of the eighteenth century, two evolving dance-historical realms intersected—theory and practice. While the French produced works on notation, choreography, and repertoire, German dance writers responded with an important body of work on dance theory. This book examines the reception of French dance in Germany.
2017-11-10 By Tilden Russell

Theoretical and Practical Treatise on Dancing, ed. Irmgard E. Berry and Annalisa Fox. Trans. Mary Skeaping. London: Dance Books. McKee, Eric. 2012. Decorum of the Minuet, Delirium of the Waltz: A Study of Dance–Music Relations in 3/4 ...

Author: Danuta Mirka

Publisher: Oxford Handbooks

ISBN: 9780199841578

Category: Music

Page: 683

View: 508

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Consolidates the research field of topic theory by clarifying its basic concepts and exploring its historical foundations.
2014 By Danuta Mirka

Theoretical and Practical Treatise on Dancing. London: Dance Books, 1988. (original 1779) Maletic, Vera. Body – Space — Expression / The Development of Rudolf Laban's Movement and Dance Concepts. Berlin: De Gruyter, 1987.

Author: Valerie Preston-Dunlop

Publisher: Routledge

ISBN: 9781134361229

Category: Performing Arts

Page: 740

View: 678

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First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
2016-01-28 By Valerie Preston-Dunlop

See, for example, Carlo Blasis, An Elementary Treatise Upon the Theory and Practice of the Art of Dancing (Milan, 1820); Giovanni Gallini, A Treatise on the Art of Dancing (London, 1762); Gennaro Magri, Theoretical and Practical ...

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Publisher: Cambria Press

ISBN: 9781621968931

Category:

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Magri, Theoretical and Practical Treatise, 73. The ballerino is comparable to the danseur noble in the French categorization. Magri distinguishes the three types of dancers in Italian terminology: the noble ballerini, the broader and ...

Author: Karen Eliot

Publisher: University of Illinois Press

ISBN: 9780252032509

Category: Biography & Autobiography

Page: 190

View: 221

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The private and performance lives of five female dancers in Western dance history
2007 By Karen Eliot

The dancing shoe of minuets, waltzes and quadriIIes rapidly became the ballet slipper and standard apparel for ... are directives about which Gennaro Magri wrote in his treatise Theoretical and Practical Treatise on Dancing (1779).

Author: Alexandra Carter

Publisher: Routledge

ISBN: 9781136485008

Category: Performing Arts

Page: 208

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By taking a fresh approach to the study of history in general, Alexandra Carter's Rethinking Dance History offers new perspectives on important periods in dance history and seeks to address some of the gaps and silences left within that history. Encompassing ballet, South Asian, modern dance forms and much more, this book provides exciting new research on topics as diverse as: *the Victorian music hall *film musicals and popular music videos *the impact of Neoclassical fashion on ballet *women's influence on early modern dance *methods of dance reconstruction. Featuring work by some of the major voices in dance writing and discourse, this unique anthology will prove invaluable for both scholars and practitioners, and a source of interest for anyone who is fascinated by dance's rich and multi-layered history.
2013-10-18 By Alexandra Carter

31 See Gennaro Magri, Theoretical and Practical Treatise on Dancing (Naples, 1779; London: Dance Books, 1988), pp. 101–102 and p. 165. 32 See the anonymous translation of Lucian's treatise on dance, Della Danza, Dialogo di Luciano, ...

Author: Edward Nye

Publisher: Cambridge University Press

ISBN: 9781139497497

Category: Drama

Page:

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The 'ballet d'action' was one of the most successful and controversial forms of theatre in the early modern period. A curious hybrid of dance, mime and music, its overall and overriding intention was to create drama. It was danced drama rather than dramatic dance, musical drama rather than dramatic music. Most modern critical studies of the ballet d'action treat it more narrowly as stage dance and very few view it as part of the history of mime. Little use has previously been made of the most revealing musical evidence. This innovative book does justice to the distinctive hybrid nature of the ballet d'action by taking a comparative approach, using contemporary literature and literary criticism, music, mime and dance from a wide range of English and European sources. Edward Nye presents a fascinating study of this important and influential part of eighteenth-century European theatre.
2011-07-21 By Edward Nye

33 34 35 36 37 38 39 40 41 42 43 G. Magri, Trattato Teorico-Prattico di Ballo di Gennaro Magri, Naples: V. Orsino, 1779 (I.E. Berry, A. Fox (eds), Theoretical and Practical Treatise on Dancing, trans. M. Skeaping, London: Dance Books, ...

Author: Susanne Franco

Publisher: Routledge

ISBN: 9781134947126

Category: Performing Arts

Page: 296

View: 359

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Focusing on politics, gender, and identities, a group of international dance scholars provide a broad overview of new methodological approaches – with specific case studies – and how they can be applied to the study of ballet and modern dance. With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts: politics explores 'Ausdruckstanz' – an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others gender examines eighteenth century theatrical dance – a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes identity is concerned with modern dance. Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.
2016-04-29 By Susanne Franco

See Jennifer Thorpe, “Dancing in Late 17th-Century London: Priestly Muddles,” Early Music 26, no. ... nationale de France, département Arsenal, 4–S–4592, 26–27; and Genaro Magri, Theoretical and Practical Treatise on Dancing, trans.

Author: Lynsey McCulloch

Publisher: Oxford University Press

ISBN: 9780190498795

Category: Music

Page: 904

View: 160

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Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.
2019-01-28 By Lynsey McCulloch

Magri articulates analytical and theoretical senses of the grotesque dancer as well . First the analytical . ... See Smith , “ Theoretical and Practical Treatise on Dancing , " Dance Research Journal 21 , no .

Author: Rebecca Harris-Warrick

Publisher: Univ of Wisconsin Press

ISBN: 0299203549

Category: Literary Criticism

Page: 383

View: 714

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Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"?a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri's Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri's own career as a dancer in Italy and Vienna, the genre of pantomime ballet as it was practiced by Magri and his colleagues across Europe, the relationships between dance and pantomime in this type of work, the music used to accompany pantomime ballets, and the movement vocabulary of the grotesque dancer. Appendices contain scenarios from eighteenth-century pantomime ballets, including several of Magri's own devising; an index to the step-vocabulary discussed in Magri's book; and an index of dancers in Italy known to have performed as grotteschi. Illustrations, music examples, and dance notations also supplement the text.

Theoretical and Practical Treatise on Dancing. Naples, 1779. Translated by Mary Skeaping. London: Dance Books, 1988. Mariamne, a tragedy, acted at the Theatre Royal in Lincoln 's-Inn-Fields, written by Mr Fenton. London:J. Tonson, 1723.

Author: Sarah Yuill McCleave

Publisher: University Rochester Press

ISBN: 9781580464208

Category: Music

Page: 266

View: 373

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Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart.

Mary Skeaping as Theoretical and Practical Treatise on Dancing. London: Dance Books, 1988. Menestrier, Claude-François. Des Ballets anciens et modernes selon les règles du théâtre. Paris, 1682. Rpt. Geneva: Minkoff, 1972 and 1984.

Author: Rebecca Harris-Warrick

Publisher: Cambridge University Press

ISBN: 9781107137899

Category: Music

Page: 534

View: 253

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Examining the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
2016-10-31 By Rebecca Harris-Warrick

10 Tatars 76, 142, 154; dance 154 Tchaikovsky Concert Hall 143, 159 Tehran 87 Television 11, 39, 88, 99, 194 n.4 Theatre of Folk Art 69, 72, 124–125. 127, 186 Theoretical and Practical Treatise on Dancing (book title) 163 Ther, ...

Author: Anthony Shay

Publisher: Intellect Books

ISBN: 9781789380118

Category: Performing Arts

Page:

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In this book Anthony Shay examines the life and works of renowned choreographer Igor Moiseyev and his dance company. Formed in 1937 the Moiseyev Dance Company have performed across the globe and are the first major Soviet dance group to perform in the United States. Through the Moiseyev Dance Company, dance became a vital diplomatic tool, ballerinas replaced atom bombs, and helped usher in a new era of cultural exchange, formalized by an agreement signed by the United States and the Soviet Union. Through this book Shay explores the multiple lenses of spectacle, Russian nationalism, and the Cultural Cold War, to describe and analyse the history of Moiseyev’s company, and the shock that ‘innocent’ folk dance gave the American government. Blending academic study and personal anecdote Shay provides a nuanced analysis of Moiseyev’s importance and his place in the world of dance. This is the first English language study of Igor Moiseyev and his dance company.
2019-07-15 By Anthony Shay

See , for example , Gennaro Magri's Theoretical and Practical Treatise on Dancing ( Naples , 1779 ) , trans . Mary Skeaping , Anna Ivanova , and Irmgard E. Betty ( London : Dance Books , 1988 ) ; Giovanni Andrea Battista Gallini's ...

Author: Associate Professor of French Sara E Melzer

Publisher: Univ of California Press

ISBN: 0520208072

Category: History

Page: 267

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In this innovative volume, leading scholars examine the role of the body as a primary site of political signification in seventeenth- and eighteenth-century France. Some essays focus on the sacralization of the king's body through a gendered textual and visual rhetoric. Others show how the monarchy mastered subjects' minds by disciplining the body through dance, music, drama, art, and social rituals. The last essays in the volume focus on the unmaking of the king's body and the substitution of a new, republican body. Throughout, the authors explore how race and gender shaped the body politic under the Bourbons and during the Revolution. This compelling study expands our conception of state power and demonstrates that seemingly apolitical activities like the performing arts, dress and ritual, contribute to the state's hegemony. From the Royal to the Republican Body will be an essential resource for students and scholars of history, literature, music, dance and performance studies, gender studies, art history, and political theory.

Magri, Gennaro (1988 [1779]) Theoretical and practical treatise on dancing [Trattato teorico-prattico di ballo], trans. Mary Skeaping, London: Dance Books. Magnus, Cristyn, P.D. Magnus, and Christy Mag Uidhir (2013) “Judging covers,” ...

Author: Anna Pakes

Publisher: Oxford University Press

ISBN: 9780199988235

Category: Performing Arts

Page: 432

View: 228

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Dance is often considered an ephemeral art, one that disappears nearly as soon as it materializes, leaving no physical object behind. Yet some dance practice involves people trying to embody something that exists before - and survives beyond - their particular acts of dancing. What exactly is that thing? And (how) do dances continue to exist when not performed? Anna Pakes seeks to answer these and related questions in this book, drawing on analytic philosophy of art to explore the metaphysics of dance making, performance and disappearance. Focusing on Western theater dance, Pakes also traces the different ways dances have been conceptualized across time, and what those historical shifts imply for the ontology of dance works.
2020-04-28 By Anna Pakes

Theoretical and Practical Treatise on Dancing ( 1779 ) , trans . Mary Skeaping . London : Dance Books , 1988 . McGowan , Margaret M. ĽArt du Ballet de Cour en France , 1581–1643 . Paris : Éditions du Centre National de la Recherche ...

Author: Carol Lee

Publisher: Psychology Press

ISBN: 0415942578

Category: Performing Arts

Page: 368

View: 481

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A history of the development of ballet from the origins of dance through the 20th century.
2002 By Carol Lee

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