Search Results for sonata-no-1-in-c-minor

1 83 Piano Sonata in C major , op . 2 , no . 3 , mvt . 2 78 Piano Sonata in C major , op . 53 , mvt . 1 61 , 83 Piano Sonata in C major , op . 53 , mvt . 3 173 Piano Sonata in C minor , op . 10 , no . 1 mvt . 2 83 Piano Sonata in C ...

Author: Timothy Cutler

Publisher: Routledge

ISBN: 9781351069151

Category: Music

Page: 314

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For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
2019-02-04 By Timothy Cutler

1 , 306 15 Hungarian Peasant Songs , 175 , 223 Music for Strings , Percussion and Celesta , 186 , 192 Out of Doors , 236 , 328 Piano ... 13 , 199 Three Burlesques , 326–7 , 342 Violin Sonata no . ... 8 ( -Pathétique ' ) in C minor op .

Author: Bruno Monsaingeon

Publisher: Princeton University Press

ISBN: 9780691095493

Category: Music

Page: 465

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Sviatoslav Richter was a dazzling performer but an intensely private man. Though world famous and revered by classical music lovers everywhere, he guarded himself and his thoughts as carefully as his talent. Fascinated, author and filmmaker Bruno Monsaingeon tried vainly for years to interview the enigmatic pianist. Richter eventually yielded, granting Monsaingeon hours of taped conversation, unlimited access to his diaries and notebooks, and, ultimately, his friendship. This book is the product of that friendship. Richter reveals himself as a man and an artist. Unsentimentally and with his characteristic dry humor and intelligence, the musician describes his poignant childhood and spectacular career, including his tumultuous early days at the Moscow Conservatory and his triumphant 1960 tour of the United States. His laconic recounting of playing in the orchestra at Stalin's surreal, interminable state funeral is riveting. Most important for music lovers, Richter discusses his influences and views on musical interpretation. He describes his encounters with other great Russian performers and composers, including Prokoviev, Shostakovich, Oistrakh, and Gilels. Candid sections from his personal journals offer his sober and unguarded impressions of dozens of performances and recordings--both his own and those of other musicians. This volume offers readers the sizable pleasure of lingering in the thoughts and words of one of the most important pianists of the twentieth century. Unlike many other star performers, Richter was also an intellectual who had interesting things to say, particularly about the musician's proper role as interpreter of the composer's art. This alone makes the book worth reading. Sviatoslav Richter belongs on the shelves of everyone with a classical music collection and will also appeal to lovers of autobiography and admirers of Russian musical culture.
2002-09-15 By Bruno Monsaingeon

Works with opus numbers • Opus 1: Three Piano Trios (1795) • No. 1: Piano Trio No. 1 in E-flat major • No. 2: Piano Trio No. 2 in G major • No. 3: Piano Trio No. 3 in C minor • Opus 2: Three Piano Sonatas (1796) • No. 1: Piano Sonata No ...

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Publisher: PediaPress

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Page: 553

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Sonata . No 1 , Op . 10 , in C minor , dedicated to La Comtesse de Browne .. 6. Sonata , No. ... Sonata , quasi Fantasia , No 1 , Op 27 , in C sharp minor ( known as the Moonlight Sonata ) , dedicated to Countess Giue . de Guicciardi 4 ...

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ISBN: BSB:BSB10281917

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Page: 984

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1 ; 338 Fantasia in G minor , Op . 77 ; 166 , 287 Piano sonata No. 1 in F minor , Op . 2 , No. 1 ; 301 Piano sonata No. 2 in A Major , Op . 2 , No. 2 ; 131 , 342 , 343 Piano sonata No. 3 in C Major , Op . 2 , No.

Author: Max Rudolf

Publisher: Pendragon Press

ISBN: 1576470385

Category: Music

Page: 564

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This volume offers a collection of articles written by the renowned conductor and scholar Max Rudolf, together with a selection of his correspondence relating to material in the articles. Max Rudolf's conducting career spanned seventy years, from his first performances in l920-2l to his last in 1990. His life was devoted to performing, scholarship, and teaching. He conducted at the Metropolitan Opera from 1943 to 1937 and was Musical Director of the Cincinnati Symphony from 1938 to 1970, after which he combined guest conducting with teaching opera and conducting at the Curtis Institute in Philadelphia. The articles reflect a lifetime of thought on the art of conducting, musical style, and performance practice. Rudolf, known as an interpreter of the classical repertoire, freely shared his vast knowledge of Mozart's and Beethoven's scores with colleagues and students. His conducting book, The Grammar of Conducting, has been the leading college text in the field for many years. As such it has extended his influence on many generations of conductors. Throughout his life, Rudolf corresponded voluminously with other musicians. The letters included in this volume were selected because they shed a warm, personal light on the formal published articles thus providing an opportunity to share the mind and thoughts of an outstanding human bein
2001 By Max Rudolf

2 , Op . 2 , in A , dedicated to Ilaydn 5 0 3. Sonata , No 3 , Op . 2 , in C , dedicated to Haydn ...... 5 0 4. Sonata . Op 7. in E flat 5 0 5. Sonata No 1 , Op . 10 , in C minor , dedicated to La lontesse de Browne . 4 0 6.

Author: Victoria and Albert museum

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ISBN: OXFORD:591013420

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Page: 980

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140, BWV 140, 35–36 Beethoven, Ludwig van Bagatelle in A Minor, WoO 59 (“Für Elise”), 219 “Coriolan” Overture, op. ... 8 in C Minor, op. 13 (“Pathétique”), 310 Piano Sonata No. 9 in E Major, op. 14, no. 1, I, 240, 310–11; II, ...

Author: Eric Wen

Publisher: Rowman & Littlefield

ISBN: 9781538104675

Category: Music

Page: 390

View: 802

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This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
2019-02-14 By Eric Wen

1 in A minor, WQ 49 Ludwig Van Beethoven Sonata No. 1 in F minor, Op. 2, No. 1 Sonata No. 2 in A major, Op. 2, No. 2 Sonata No. 3 in C major, Op. 2, No. 3 Sonata No. 4 in E-flat major, Op. 7 Sonata No. 5 in C minor, Op. 10, No.

Author: Glenn Gould

Publisher: University of Chicago Press

ISBN: 9780226116235

Category: Biography & Autobiography

Page: 161

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One of the most idiosyncratic and charismatic musicians of the twentieth century, pianist Glenn Gould (1932–82) slouched at the piano from a sawed-down wooden stool, interpreting Bach, Beethoven, and Mozart at hastened tempos with pristine clarity. A strange genius and true eccentric, Gould was renowned not only for his musical gifts but also for his erratic behavior: he often hummed aloud during concerts and appeared in unpressed tails, fingerless gloves, and fur coats. In 1964, at the height of his controversial career, he abandoned the stage completely to focus instead on recording and writing. Jonathan Cott, a prolific author and poet praised by Larry McMurtry as "the ideal interviewer," was one of the very few people to whom Gould ever granted an interview. Cott spoke with Gould in 1974 for Rolling Stone and published the transcripts in two long articles; after Gould's death, Cott gathered these interviews in Conversations with Glenn Gould, adding an introduction, a selection of photographs, a list of Gould's recorded repertoire, a filmography, and a listing of Gould's programs on radio and TV. A brilliant one-on-one in which Gould discusses his dislike of Mozart's piano sonatas, his partiality for composers such as Orlando Gibbons and Richard Strauss, and his admiration for the popular singer Petula Clark (and his dislike of the Beatles), among other topics, Conversations with Glenn Gould is considered by many, including the subject, to be the best interview Gould ever gave and one of his most remarkable performances.
2005-11-15 By Glenn Gould

1 Sonata No. 26 in E-flat major, Op. 81a, “Les Adieux” Diabelli Variations, Op. 120 Sonata No. 24 in F-sharp major, Op. 78 Sonata in C minor, D. 958 Preludes, Op. 28 Sonata No. 1 in F minor, Op. 2, No. 1 Sonata No. 6 in F major, Op. 10, ...

Author: Stephen Lehmann

Publisher: Oxford University Press on Demand

ISBN: 9780195130461

Category: Biography & Autobiography

Page: 361

View: 122

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Rudolf Serkin was a virtuoso solo performer, who like Heifitz & Horowitz, made Eruopean classical music an important part of American middle class culture in the 1920s. This is the first biography of Serkin & it concerntrates on the unfolding of his career in the United States.
2003 By Stephen Lehmann

12 / Moment Musicaux in B minor, Op. 16, No. 3 / Three Études-Tableaux from Op. 33 & 39 1967–1972 Sony Classical 1994 The Private Collection Vol. 188 • Bach: Toccata in C minor, BWV. 911 • Clementi: Sonata in A major, Op. 33, No. 1 ...

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Publisher: PediaPress

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Page: 91

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