Search Results for a-companion-to-the-historical-film

Frequently the music for a historical film is an original score, composed to underpin mood or atmosphere and/or to interact with the scripted narrative, pointing it in certain directions. But, not infrequently, such music comes from a ...

Author: Robert A. Rosenstone

Publisher: John Wiley & Sons

ISBN: 9781119169574

Category: Performing Arts

Page: 592

View: 804

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Broad in scope, this interdisciplinary collection of original scholarship on historical film features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research. Offers a unique collection of cutting edge research that questions the intention behind and influence of historical film Essays range in scope from inclusive broad-ranging subjects such as political contexts, to focused assessments of individual films and auteurs Prefaced with an introductory survey of the field by its two distinguished editors Features interdisciplinary contributions from scholars in the fields of History, Film Studies, Anthropology, and Cultural and Literary Studies
2015-11-23 By Robert A. Rosenstone

Just as historical writing does, film and new television can deeply alter our understanding of future possibilities by reshaping our understanding of the past and its relationship to the present, and vice versa; and these media can do ...

Author: Chiel van den Akker

Publisher: Routledge

ISBN: 9781000465501

Category: History

Page: 704

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This Companion provides a wide-ranging and up-to-date overview of the conceptual issues that history as a discipline and mode of thought gives rise to. The book offers both historical and systematic treatments of these issues, as well as addressing their contemporary relevance. Structured in three parts – Modes and Schools of Historical Thought, Epistemology and Metaphysics of History, and Issues and Challenges in Historical Theory – it offers the reader a wide scope and expert treatment of each topic in this vibrant field that can be read in any order. An international team of experts both discuss the basis of their topic and present their own view, offering the reader a cutting-edge contribution while ensuring their chapters are of interest to both students and specialists in the field of historical theory and engaging with the very nature of historical thought, the metaphysics of historical existence, the politics of history-writing, and the intelligibility of the historical process. The volume is an indispensable companion to the study of history and essential reading for anyone interested in the reflection on the nature of history and our historical existence.
2021-11-16 By Chiel van den Akker

A Companion to the Historical Film. West Sussex, uK: Wiley-Blackwell. Rosenzweig, Roy, and David Thelen. 1998. The Presence of the Past. Popular Uses of History in American Life. New York, NY: Columbia university press.

Author: Jennifer Marston William

Publisher: Springer

ISBN: 9783319393186

Category: Performing Arts

Page: 200

View: 785

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This book explores how minds at the movies understand minds in the movies and introduces readers to some fundamental principles of Cognitive Studies—namely conceptual blending, Theory of Mind, and empathy/perspective-taking—through their application to film analysis. A cognitive approach to recent popular historical films demonstrates cinema’s potential to stimulate viewers’ critical thinking about crucial events of the past century. Diverging from the focus on narrative processing in traditional cognitivist theory, this book examines film reception and production in the context of the latest developments in cognitive and social psychology. Turning to German cinema as a case study for this interdisciplinary partnership, Jennifer Marston William offers a fresh look at some internationally successful films of the twenty-first century, including Nowhere in Africa, Goodbye, Lenin!, Sophie Scholl, Downfall, The Lives of Others, and The Baader-Meinhof Complex.
2016-12-07 By Jennifer Marston William

A Companion to the Historical Film. Malden, MA: Wiley-Blackwell, 2013. There are also a number of guides that deal with specific genres or topics, such as horror, film noir, gender in cinema, or gangster movies.

Author: Bridgit McCafferty

Publisher: Rowman & Littlefield

ISBN: 9781442254176

Category: Language Arts & Disciplines

Page: 264

View: 835

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Literary Research and British Postmodernism is a guide for researchers of postwar British literature that defines best practices for scholars conducting research in this period. Individual chapters connect the complex relationships between print and multimedia, technological advancements, and the influence of critical theory that converge in postwar British literature.
2015-09-02 By Bridgit McCafferty

The essays in this collection should help teachers, students, and general readers to avoid such pitfalls.44 The book, then, is intended not as a 'companion' to American historical films as such but as a corrective for lay readers which ...

Author: Jonathan Stubbs

Publisher: A&C Black

ISBN: 9781472520029

Category: Performing Arts

Page: 224

View: 552

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Although precise definitions have not been agreed on, historical cinema tends to cut across existing genre categories and establishes an intimidatingly large group of films. In recent years, a lively body of work has developed around historical cinema, much of it proposing valuable new ways to consider the relationship between cinematic and historical representation. However, only a small proportion of this writing has paid attention to the issue of genre. In order to counter this omission, this book combines a critical analysis of the Hollywood historical film with an examination of its generic dimensions and a history of its development since the silent period. Historical Film: A Critical Introduction is concerned not simply with the formal properties of the films at hand, but also the ways in which they have been promoted, interpreted and discussed in relation to their engagement with the past.
2013-03-28 By Jonathan Stubbs

Rollins, Peter and John O'Connor (2008), Why We Fought: America's Wars in Film and History, Lexington: University Press of Kentucky. Rosadiuk, Adam (2006), “Thirty Two ... A Companion to the Historical Film, New York: John Wiley & Sons, ...

Author: Eleftheria Thanouli

Publisher: Bloomsbury Publishing USA

ISBN: 9781501340796

Category: Performing Arts

Page: 296

View: 364

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History and Film: A Tale of Two Disciplines addresses the representation of history in cinema, a much-argued debate on the need to understand cinematic history in its own terms and develop a certain vocabulary for discussing historical films, their relation to public history, and their impact on public historical consciousness. Eleftheria Thanouli does this by changing the agenda altogether - combining a macro-level perspective with a micro-level one in order to argue that cinematic history is the dominant form of historiography in the 20th century, as it succeeded in remediating and repurposing the key formal, rhetorical, and ideological practices of 19th-century professional historiography. With case studies ranging from The Thin Red Line and Life is Beautiful, to The Fog of War and The Last Bolshevik, Thanouli bridges the gap between history and film studies and lays the foundations for a new visual historiography.
2018-10-18 By Eleftheria Thanouli

This type of film shifts beyond the gangster genre's rigid structural codes and character archetypes to ask what the ... Instead of dismissing films because of their casual regard for historical detail, we should rigorously probe and ...

Author: George S. Larke-Walsh

Publisher: Wiley-Blackwell

ISBN: 9781119041665

Category: Art

Page: 552

View: 992

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A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
2018-11-29 By George S. Larke-Walsh

However, do we really understand how and why this visual and aural historical presentation works? ... Ashkenazi, Ofer (2014), “The Future of History as Film: Apropos the Publication of A Companion to Historical Film,” Rethinking History ...

Author: Richard Walsh

Publisher: Bloomsbury Publishing

ISBN: 9780567666222

Category: Religion

Page: 432

View: 370

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The first decades of the twenty-first century saw a resurgence of the biblical epic film, such as Noah and Exodus: Gods and Kings, which was in turn accompanied by a growth of biblical film criticism. This companion surveys that field of study by framing it in light of significant and recent biblical films as well as the voices of key biblical film critics. Non-Hollywood and seemingly "non-biblical†? films also come under investigation. The contributors concentrate on three points: "context†?, focusing on the 'Bible in' specific film genres and cultural situations; "theory†?, applying theory from both religion and film studies, with an eye to their possible intersections; and "recent and significant texts†?, reflecting on which texts and themes have been most important in 'biblical film' and which are currently at the fore. Exploring cinema across the globe, and accompanied by extended introductory essays for each of the three sections, this companion is an important resource for scholars in both film and biblical reception.
2018-06-28 By Richard Walsh

Richter refers to Inflation and Stock Exchange as examples of the method that he earlier called “Film Essay” to ... on history and historical topics as subject matters for the present: The Picture Sheet draws on every kind of film style ...

Author: Joshua Malitsky

Publisher: John Wiley & Sons

ISBN: 9781119116295

Category: Performing Arts

Page: 500

View: 908

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This volume offers a new and expanded history of the documentary form across a range of times and contexts, featuring original essays by leading historians in the field In a contemporary media culture suffused with competing truth claims, documentary media have become one of the most significant means through which we think in depth about the past. The most rigorous collection of essays on nonfiction film and media history and historiography currently available, A Companion to Documentary Film History offers an in-depth, global examination of central historical issues and approaches in documentary, and of documentary's engagement with historical and contemporary topics, debates, and themes. The Companion's twenty original essays by prominent nonfiction film and media historians challenge prevalent conceptions of what documentary is and was, and explore its growth, development, and function over time. The authors provide fresh insights on the mode's reception, geographies, authorship, multimedia contexts, and movements, and address documentary's many aesthetic, industrial, historiographical, and social dimensions. This authoritative volume: Offers both historical specificity and conceptual flexibility in approaching nonfiction and documentary media Explores documentary's multiple, complex geographic and geopolitical frameworks Covers a diversity of national and historical contexts, including Revolution-era Soviet Union, post-World War Two Canada and Europe, and contemporary China Establishes new connections and interpretive contexts for key individual films and film movements, using new primary sources Interrogates established assumptions about documentary authorship, audiences, and documentary's historical connection to other media practices. A Companion to Documentary Film History is an ideal text for undergraduate and graduate courses covering documentary or nonfiction film and media, an excellent supplement for courses on national or regional media histories, and an important new resource for all film and media studies scholars, particularly those in nonfiction media.
2021-04-13 By Joshua Malitsky

Women Filmmakers and Historical Films Julia Erhart ... Rosenstone, 'The history film as a mode of historical thought', in Robert Rosenstone and Contantin Parvulescu (eds), A Companion to the Historical Film (London: Wiley-Blackwell, ...

Author: Julia Erhart

Publisher: Bloomsbury Publishing

ISBN: 9781786724267

Category: Performing Arts

Page: 240

View: 541

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In movies about landmark historical events such as wars, occupations, or migrations or historically important personalities, there is an unspoken set of rules for how gender ought to be expressed. Often condemned by critics for being excessively emotional or pathetic, films by female directors featuring female protagonists may be popular with audiences but judged incapable of expressing 'real' history. Audiences learn more about the past from movies than from any other form of entertainment, and historical and heritage cinemas now comprise a burgeoning scholarly field. Yet to date there has not been a book-length analysis of female film directors' innovations in films about the historical past. With and without critical recognition, women are making important stories about the past and bringing new representations of agency and activism to the screen, often construed in ways that mobilise the past for the present, and always filtered through the lens of contemporary feminisms. Julia Erhart's new book situates women filmmakers' work within a context of other women directors from France, Denmark, Iran, Australia, the UK, the United States, and Spain and draws connections between their representational strategies and their concerns with visioning the past within the prism of the present. Written in an approachable yet theoretically informed prose, Erhart compellingly explores how foundational historiographic concepts like valour, memory, and resistance are re-envisioned within uniquely revised sub-genres that include biopics, historical documentaries, Holocaust movies, and films about the 'War on Terror'. Gendering History on Screen demonstrates how directors shape audiences' sense of the past, contour globally-relevant themes and narratives to suit female characters, and map a critique of national policies and institutions on to contemporary feminisms. Gendering History will be invaluable to students and scholars of historical film and women's cinema.
2018-03-05 By Julia Erhart